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Sunday, February 23, 2014

An Interview with GQ Reeves, son of Kid Capri.

I was blessed to run into a young entrepreneur that goes by the name of GQ Reeves, during a homecoming visit in 2013 at Georgia Southern! He had no idea who I was, but little did he know that I was following his come up. I introduced myself to him and we became good friends. I must take a moment and say that God places people in your life for a reason and we never know that reason until we step out of our comfort zones.

He recently gave me the honor of interviewing him for my blog for class. Please take a moment and get familiar with a person that I am honored and blessed to know. Someone who will soon be known by many more people due to his success!

Name: GQ Reeves

1. What do you do?

GQ: I am a writer who managed to use my gift to move into other areas.  I ghost write for a number of artists. I manage an artist and I work with different labels as the creative director to help artists develop their stage shows.

2. How did you get started?
I started writing these erotic poems and that turned into me making clothing with these erotic poems and stories on them. One day I was asked to turn my poem into a song and that started it all.

3. What is the hardest part of working in the entertainment industry?
For me, the hardest part was being able to stand on my own aside from my dad’s (Kid Capri) name. But, I learned that I had to embrace it. This is the only father figure that I know and he is a major reason why I have the opportunities that I have. 

4. What is the easiest part?
GQ: The easiest is that I love what I do. For me, it’s a natural process. It’s like breathing. 
5. How do you balance work and a personal life?
GQ: I don't have much of a personal life and that has more to do with all of the other projects that I’m involved in
6. If you could work with any artist, who would you work with and why?
GQ: Luther Vandross, his voice was amazing. He has that ability to sing any song and make it his own. I think his cover album is a perfect example of that. 
7. What advice do you have for up and coming artists?
GQ: Not to lose yourself in the process. What is meant for you, no one can take from you. You can have all the talent in the world, but you need to remember two things: 1. Humility should be your most notable talent. 2. Hard work is more important than anything. 
8. What advice would you give to someone that wants to work in the industry but doesn't know where to start?
GQ: What is your passion? Missy Elliott told me that I have to do something that no one has done before and to do that I have to look within myself, because no one is like me. FIND YOUR PASSION AND BUILD ON IT. 
For more information on GQ Reeves, please check out his website www.Iamkingreeves.com, Instagram @bossman_q, and his organization Coaching To Success, @coachingtosuccess, which was created to help youth acquire the skills needed to be successful adults.




Sunday, February 9, 2014

Do I need to be affiliated with a Performance Rights Organization (PRO)?

Many up and coming artist’s are unaware of what a PRO is. PRO companies such as ASCAP, BMI, and SESAC are important companies that every artist should be aware of. So what are these acronyms? These are the acronyms that allow you to get paid when people use your music. They do this by collecting performance royalties on your behalf.

Let me break it down in detail for you. As stated by Chris Robley, any time your music is placed on television, radio, commercials, or played in venues you are to receive a “performance royalty.” These royalties are paid through companies such as ASCAP, BMI, and SESAC. Every artist should register with one of these PRO’s to ensure that they are getting their performance royalties.

Not only do you need a PRO, but you also need a publishing company as well to receive your mechanical royalties. I will discuss the publishing side of obtaining monies for placements in future posts. The most important part is obtaining a PRO first so that you are not missing your money.  

As stated in an article on TuneCore; they believe that having a PRO is very important and highly recommended. They call them the “watchdogs of the airways.” TuneCore advises the artist to work with the PRO as well as with TuneCore to help obtain all of the royalties that are due to the artist. You do not have to worry about them taking advantage of you because they work directly with the PRO companies to ensure that you are receiving both your performing and mechanical royalties.


To summarize it, every artist should research each PRO Company and determine which one suits them better. Each PRO pays differently and has different benefits that cater to their artists. My artists work with BMI and ASCAP. I have found that BMI pays 200% whereas ASCAP pays 100%.  I recommend that every up and coming artist conduct their own research on each company and decide which one caters to you and your abilities.